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Showing posts with label Picture Book. Show all posts
Showing posts with label Picture Book. Show all posts

Tuesday, January 12, 2021

The Call with Steve Hickner

Before I sent out my agent queries, I braced myself for the tidal wave of expected rejections. I’ve worked in the entertainment industry for a long time and I knew first-hand what the chances of success would be like. In fact, right outside my office was the assistant to one of DreamWorks development executives, so I had a front row seat to the battlefield of disappointed faces. My point is, I figured that Charlie Bucket had a better chance of finding a Golden Ticket than I did in getting an agent.

The closest thing that I can compare to sending out agent queries is when those rats will hit that lever repeatedly in the hopes that it might deliver a treat. Well, one day, I sent out a few queries and I got a request for a full manuscript.

Cue heavenly choir: a full manuscript.

I told myself, don’t get too excited. I’m sure the studio with Pluto Nash felt they had something at the time. (“My god, we have Eddie Murphy!”)

Not long after I sent the manuscript, I got an email from Lynnette saying that she liked the material and wanted to discuss possible representation. I was thrilled, and vowed on the spot to never again mock Sally Field for saying, “You like me, you really like me.”

I have to confess, the details of the phone call are all a blur now, but one thing about it stood out: Lynnette struck me as a wonderful person. She really loved books, loved telling stories, and most importantly, she cared about people. I know selling books is a crazy pie-in-the-sky pipe dream, but having someone along with you on the journey makes it worthwhile.  

Even now, I am grateful for the countless hours I spent scouring manuscript wish list to find the right agents to send my material to. Because all that work led me to getting that phone call from Lynnette Novak and working with the Seymour Agency. 

To all of them, I am—and will be—forever grateful. 

One more thing, if this is needs to be edited, nuked of adverbs, and spell checked, then that’s another reason why I need Lynnette Novak. 


About Steve Hickner: 


Steve Hickner has worked at many of the fabled studios in animation: DreamWorks, Disney, Amblimation, Aardman, Hanna-Barbera and Filmation.  His extensive career includes experience with both the production and artistic sides of the process, serving as Producer on such films as:  American Tail II: Fievel Goes West, We’re Back! A Dinosaur’s Story, and Balto.  His director credits include Bee Movie and The Prince of Egypt.   In addition, he has contributed to such feature films as Who Framed Roger Rabbit?, The Little Mermaid, The Great Mouse Detective, Madagascar, Shrek Forever After, Peabody and Sherman and Home.  His television credits include the childhood favorite, He-Man and the Masters of the Universe. Steve has contributed to theme park and location-based entertainment projects in China, Dubai, London, Singapore, Malaysia, and Hollywood.  He recently collaborated with Steven Spielberg to write and direct the Comcast sphere film, The Power of I. He has been a guest speaker at many colleges and universities, film festivals and animation events.  He is the author of Animating Your Career, and Animation Rules!  


Twitter:  @HicknerSteve

Instagram: @stevehickner1

Website: stevehickner.com



Thursday, December 17, 2020

Staying Motivated with Mindy Alyse Weiss

Today we sit down with children’s book extraordinaire, Mindy Alyse Weiss, and discuss how to stay motivated through the writing and revising process. In addition to writing funny, heartfelt picture books and middle grade novels, Mindy fosters community as the host of PBParty. 

Could you describe what #PBParty is and how it began?

PBParty started seven years ago, before I had the pleasure of joining as co-host. Authors Michelle Hauck and Sharon Chriscoe decided there wasn’t enough out there for picture books so they created an annual contest. The first year, they allowed a small amount of entries (I think it was a hundred or so) and it filled up in minutes! After that, they realized their contest was in such huge demand, they needed to allow more entries. Writers e-mailed the first fifty words of their picture books along with a query. Michelle and Sharon chose a diverse variety of the strongest entries to share with a few agents and editors in the final showcase. Through the years, they’d narrow it down from a few hundred to around 20 finalists and then agents and editors would request the full (and sometimes additional manuscripts) from the ones that caught their attention. 

How did you get involved?

In 2019, they asked if I wanted to participate and I said “Oh my gosh! It sounds like so much fun!” It kind of blew up. That year we had over 800 entries, allowing 2 per person. We eventually had to narrow it down to 1 entry per person because we only had a week to read all of them. With 1 entry per person, we received 526 entries this year.

What is it like being in charge of all those authors’ submissions?

It’s amazing! It makes you see from the agent’s side of the desk, which is such a gift. When you start out you think, “This is a maybe. This is a maybe,” and all of a sudden you’re thinking “Nope! We’ve seen something stronger, or more unique.” It really shows how some rise to the top and others sink to the bottom. There’s so much in the middle—making the final choices is incredibly hard. This year, we narrowed it down to 30 finalists. 

It’s interesting to see trends—March was full of chickens, worms, zombies, dragons, unicorns, and mermaids. They’re all popular children’s topics—but the amount of submissions with them makes them battle even more for a spot. 

We also have an Illustration Showcase that I launched my first year after talking to a talented illustrator who said he’d enter…but I’d never seen his work before. I thought “it’s so competitive with the writing finalists that if I see a gorgeous illustration, it’ll be hard to turn it down.” It’s become an important part of our final showcase. Agents and editors seem to love browsing for talented author/illustrators—and we love celebrating all the requests and offers. 

PBParty has been a huge hit! So many talented writers and author/illustrators have received agents and editors through this process. Last year, one entry had 18 requests! And at least eight finalists received offers, which is so exciting. I can’t wait to see all the 2021 entries in March!


How does it feel to be a central point in helping people connect with agents?

It fulfills me so much. Things like this are my sunshine, especially during COVID. 

I love celebrating successes. It’s incredible to fall in love with entries, happy dance when they make it into the final round or Illustration Showcase…then cheer for each request. I’m probably on the edge of my seat, squealing as much as the finalists—I want them ALL to succeed! 


Could you speak to how creating community helps with motivation as a writer?

During the PBParty contest in March, we’d have daily prompts that gave participants the opportunity to chat, answer questions, share tips, cheers, and support. When the contest ended, the PBParty chats always did. But in March, the pandemic hit and I tweeted “I’m so sad. I don’t want this to end.” They agreed and I said “Do you want me to keep asking questions?”

I played around with different questions and people were so encouraging. The next thing I knew, we were doing Motivation Monday. That’s when you make your goals for the week. Then, there’s Celebration Sunday. It’s so important to celebrate along your journey. People think “I want an agent,” “I want book sales” or “I want awards.” It helps to sit and make small goals you can accomplish. I love having some easy goals because you never want to go through a whole week thinking “I’ve accomplished nothing.” This way, you can turn around and realize you’ve checked so many things off your list. Challenge yourself to do at least one thing each week that you’re not so sure you can do. Hopefully you can!

Seven months ago, I realized I hadn’t written a new picture book in 2020. That’s unusual for me. I’d been revising, but I hadn’t written anything new. I was online and some other picture book writers were saying “I haven’t been able to write in the pandemic.” So I said “Let’s write a picture book! How’s Thursday?”

This morphed into an amazing, motivating monthly event called the PBParty New Draft Challenge & Critique Train. You can flesh out ideas and plot ahead of time, then write, write, write on challenge day—you have 24 hours to write a new PB draft (EST). Then, you shout “DONE” on Twitter and add your name to the Critique Train Google doc. You receive a critique from the person above you, and give a critique to the person below you. You can send any picture book you need feedback on. Fresh eyes are such a gift—and I love seeing new friendships and critique partners form through this, too! In October, around 50 new picture books were born during the challenge. I can’t wait to cheer for all the new PB drafts during the December 17th challenge! 

I’m grateful to the picture book communities that have motivated me—and it’s so fulfilling to add my contribution to the kidlit community. I love how we support each other, help motivate each other, and celebrate, celebrate, celebrate!

This would turn into a novel if I share them all, but here are a few that I love participating in:

Storystorm with Tara Lazar is every January. The goal is to come up with at least one idea (in any genre) per day and there are inspiring daily blog posts and tons of prizes…including the chance to have an agent look over your favorite ideas and tell you which seem like the strongest. This is where I get most, if not all, of the ideas I use for an entire year!  

I also love the 12x12PB Challenge with Julie Hedlund. The goal is to write/revise a picture book every month. It’s a supportive community with an active forum and Facebook group, a critique area, monthly webinars, and a post to celebrate good news each month. 

Justin Colón, runs PBChat which is another amazing community with Twitter chats. He also has a free, three month mentorship program each summer. There’s huge competition to get in with all the big name authors and illustrators who participate and an agent/editor showcase for the finalists to display their work after the mentorship ends. 



What advice would you share with aspiring writers?

Enjoy the journey. So many people only have their eye on agents and publication and that won’t get you anywhere alone. Don’t be in such a rush because the learning curve is huge. It’s so much better to learn how to do deep revisions before you’re on deadline with an agent or an editor. Take as many workshops and classes as you can. Critique groups are an absolute must. 

When you write a new picture book a month, you lose that “this has to be perfect” mindset. You can play around with new styles. Feeling like you have to be perfect bogs you down. Challenges help you let go of all the rules swirling around your head and write. There’s plenty of time to revise later…but you can’t revise a blank page. 

Sometimes when things are going on in your life, you can’t write certain things. Don’t push yourself to write anything that pulls you down, particularly during a pandemic. You can always put work aside, switch to some writing that makes you smile and come back to it when you’re ready. Even if you’re busy or not sure you can write, do your best to write something every day. Set a timer for ten minutes (half an hour is great if you can swing it) and write. Don’t let writing slip out of your life because once you do, it can be difficult to get back into it. Keep it as part of your routine, but make it work for you.

All around me, I have motivational sayings. Every year, Julie Hedlund does a webinar series leading up to the holidays and she does something that I love and make part of my life now. Think of a word that you want for the year. The first year I was having a very tough year and my first thought was “survive.” And then I thought no, that is not going to be my word of the year and I switched that to “thrive.” The next year was “believe” and that was the year I got my amazing agent, Joyce Sweeney, and became part of The Seymour Agency family. Now I’m looking forward to this next year and I might borrow a word from a friend that is so perfect “bloom” but there’s another word I’m considering (take one look at my website and you’ll see why): “sparkle.” 

Don't Miss Out on
The December PBParty New Draft Challenge & Critique Train!




About Mindy Alyse Weiss:

Mindy Alyse Weiss is a glitter-loving kid at heart who loves viewing the world through a child’s eyes. Writing, reading, and hanging out with other book-loving people is her air. She’s written many humorous picture books and middle grade novels, but also enjoys tapping into the challenging parts of her life so she can spread sunshine and hope. 

Her heartfelt picture book manuscript, Mason’s Greatest Trick, won 5th place in the Writer’s Digest Competition and helped her receive a 12x12 PB scholarship. She’s had several pieces published in Highlights magazine, is the SCBWI FL Critique Group Coordinator and Free Meeting Facilitator, an Administrator on the SCBWI Blueboard, a founding member and Administrator on the From the Mixed-Up Files…of Middle-Grade Authors blog and host of the PBParty chats, challenge, and annual contest.  Mindy lives in Florida with her husband, two daughters, and rescue dog and cat. She adores animals and would adopt every homeless one if she could. She also loves chatting with other book-loving people on Twitter and Facebook…and seeing their adorable pet photos! She’s thrilled to be represented by Joyce Sweeney.


Tuesday, December 15, 2020

The Call With Carol Coven Grannick

It was just another pandemic day. I planned to be busy with marketing and PR-related planning and doing after my morning cardio walk, stretches, and breakfast. But first, during an early hour of the morning, I had my coffee, checked emails, and noticed an interview with a new agent on "The Mixed-Up Files..." blog. I opened it, prepared for the usual description of wishlist requests that would have nothing to do with what I wrote. I felt a slow "zing" meander through my body as I read, "Lyrical picture books and novels in verse" (huh? really?) and a little statement indicating the kind of positive attitude and emotional resilience I write in my columns and guest blog posts. I finished the interview and looked up Joyce Sweeney at Twitter. "I'm not accepting submissions." Okay. I'm respectful of what people say. Ten or twenty years ago, I would have shrugged, felt sad for a few minutes, then moved on. On this day, though, well into my writing journey and feeling pretty comfortable with who I am and what I write, I decided to email Joyce. With respect for her statement about being closed to submissions, I let her know that I'd never seen such a good match, and that I'd appreciate it if she would consider my work once she reopened to submissions. And I meant it. I just wanted to connect, and respect the limit that was presented. Shortly after (I mean, a few minutes), I received a lovely email from Joyce: "I like your style, Carol—please send me your best work." I felt so immediately comfortable that I conveyed that my "best" work involved several different types of picture books, listed them, and asked her to choose. She did. She loved it, and asked for more...and then more...until I'd sent almost all my ready-to-go file of varied-subject, varied-voice picture books. She read, we talked, we signed. I have never felt so relaxed and comfortable with an agent. I trust her to care for my work and help me guide it in the right direction as necessary. As a longtime children's writer with a debut novel-in verse this September (2020), and poetry for the very young in a number of the children's magazines, I feel a freedom to refocus even more energy on my writing, since my written and revised work is in the best of hands.


About Carol Coven Grannick:

Carol Coven Grannick is an author, poet, and chronicler. Her poetry and fiction for young children has appeared or is forthcoming in numerous magazines, including Hello, Babybug, Highlights, Ladybug, and Cricket. She is a regular columnist for the Illinois SCBWI Prairie Wind, reporter for Cynthia Leitich Smith's award-winning blog, Cynsations, and a member of the GROG blog. Her awards include: Finalist, 2014 Katherine Paterson Award at Hunger Mountain (VCFA) Honorable Mention, 2018, Sydney Taylor Manuscript Competition Ragdale Foundation Writing Residency, 2016 Illinois Arts Council Grant, 2019. She is a member of The Society for Children's Writers and Illustrators and The Chicago Writers Association. She looks forward to many conversations with young readers about REENI'S TURN.

Website: https://carolcovengrannick.com

Thursday, December 10, 2020

The Call with Matt Tesoriero

My call story is filled Drama! Drama! Drama! I was honored to have been selected as a mentee with #PBChat. I polished, edited and re-worded three manuscripts with my mentors At the end of the mentorship program, we were given another amazing opportunity to post the first 50 words in an exclusive pre-vetted agent's/editor's micro site along with the other finalists. Weeks past without a single bite. Then miracles of all miracles I got a request for the full manuscript from an agent! Within 30 days she asked for an R&R...and R....More drama! The agent had not yet been announced so the 3rd R was to reveal her identity. Soon, the pandemic took over the world and was consumed by making sure my family was safe while dealing with a family emergency. THAT's when I got the email, offering me representation. I had been dreaming about this day for a long time and when it finally came to fruition, I was too distracted to even respond. Amazing how in life when you're not looking, wonderful things come to YOU! Today, I've signed with the amazing Joyce Sweeney. Identify revealed! And am on submission. OH, how I love DRAMA!


About Matt Tesoriero:

I make a delicious, spicy meatball!

I was born into a large Italian-American family where we talk and listen at the same time. Big hugs and loud conversations are in my DNA. I grew up in rural Upstate New York, but we didn’t milk any cows.  We preferred frolicking in open cornfields and swimming in the cold waters of the Finger Lakes. I’ve lived in Boston, London, San Francisco, Fort Lauderdale and just relocated to Orlando with my partner. I love Dunkin Donuts coffee.  It provides the magical juice I use to write. I’m a certified Spinning Instructor and enjoy seeing my riders flourish and grow.

With twelve nieces and nephews as my audience, I made up silly stories to entertain them. I wanted to be their favorite uncle. One of them told me, “Uncle Matty, you should write these stories down.” So I have. I always remember a day when I was volunteering as a teacher’s aide in a first grade class. I read “The Giving Tree” to the children. I remember how moved they were and how the story made me cry. That’s my goal as a writer: to create children’s stories with heart. To inspire, enlighten and entertain. I always root for the underdog and characters who feel different. PAVE. THAT. ROAD!

Twitter: @Matt_Tesoriero

Instagram: @MattTesoriero_Author


Thursday, December 3, 2020

Curiouser and Curiouser with Kyan Howland

Kyan Howland - Repped by Joyce Sweeney

Curiouser and Curiouser

Since being a child, I’ve felt how stories permeate the atmosphere.

Being a sensory synesthetic I wake every day to taste, listen, breathe, feel, and see everyday stories come and go. I worked decades as a hospice nurse witnessing those final moments, holding hundreds of stories with my heart, hearing both adventure and regret.

I’m especially curious about what others call mistakes. Like Miles Davis, I believe they can be music as you choose the next note and moment. As a writer and relentless editor, I’ve struggled with perfection but never let it keep me from making up homemade songs as a child died. I enjoy taking a few favorites and putting them to a new song on my guitar, like the one I did for a three year old called Oopsa' Daisy Dinosaur.  

And so when another mistake happened where the convertible top ordered was the wrong color, I went with it and made the most of it. Having a sandy top rather than black, demanded a blue car rather than silver. So with the help of friends I dipped my car deep sea blue. Then we added images of mermaids and ideas from stories and songs I wrote and put them all over my new art car. This has sparked much dialogue in parking lots as families ask about the rainbow hive or the phrase ‘slow is the new fast” uttered by the purple turtle on the bumper.

I believe taking time to be curious doesn’t kill the cat, whoever came up with that metaphor missed alot. As my blue cat Vega nestles beside me, she would agree, be curious and find the magic in the moment, which has never been more important at this time on the planet.


About Kylan Howland:

Kyan is an award-winning Singer/Songwriter and Author.  Her love of instruments from handspan to acoustic guitar, and her four octave voice make for an incredible reading and keynote.  Studying with Bobby McFerrin and earning her Masters in Creative Writing, she innovates with word and sound.  Westside Voice wrote “she enchanted both young and old”.  

She created the Lullaby Club online, where her stories, songs, and ASMR relax the whole family.  Her social media LIVES reach thousands and she’s been featured on Public Radio, as well as being a popular artist-in-residence at schools, hospitals, and conferences.  She painted her blue convertible with magical images from her stories and songs with the help of friends, and is beloved as the singing nurse.  

Having worked hospice and behavioral health, she knows the edge where a child jumps from a window and a grandmother reveals her secret cinnamon bun recipe with her last breath.   Her own NDE gave her a love life to cloud nine and a bravery to advocate for the planet and LGBTQ community.   

She lives on the shores of a great lake with her cat Vega, and they both turn mermaid on Saturdays, because life is too brief and beautiful, not to! 

Facebook: https://www.facebook.com/secretmermaidstuff

Email: secretmermaidstuff432@gmail.com

Instagram: @kyanmermaid

Twitter: @MermaidKyan

Tuesday, November 24, 2020

The Call With Hannah Lapehn

Agent Lynnette Novak emailed me about a week after I queried her. In that email, she asked if she could set up a phone call. Of course, I said yes! I used the time in between to research pretty much everything about her, the Seymour Agency, and their reputation. I called my mentor, spoke with other writers and had lots of questions lined up to ask her. 

When Lynnette called, I knew right away that our personalities were going to mesh well. She had a lot of questions for me at first, then she talked about my story. That’s what really drew me in. Her passion for my work and her belief that it was something special was exactly what I was looking for. 

Lynnette’s transparency was also a selling point. She agreed to let me contact another client of hers, answered all my questions, and explained what her editorial style looks like. 

Lynnette offered me representation during that call. I took some time to mull it over and email other agents I had queried. Then a few days later, I signed the contract! 


About Hannah Lapehn:

Picture book writer Hannah Lapehn is a member of the SCBWI and Julie Hedlund's 12x12. She has attended many conferences including the Highlight Foundation's Crash Course into Children's Publishing, the SCBWI Middle of the Map conference, and Hannah Barnaby's picture book workshop. In 2019, she was selected by author Jill Esbaum for the PBChat Twitter Mentorship Competition. 

Hannah likes to write stories that make kids laugh and think about others. She's always on the lookout for creative ways to make that happen. 

Website: hannahlapehnbooks.com

Facebook: Hannah Lapehn

Twitter: @HannahLapehn

Yahoo: hlapehn@yahoo.com

Thursday, October 1, 2020

The Call with Kaitlyn Sanchez

So for me, the call was the icing on the cake because the response to my query was what truly got me. 

The first line that Joyce sent me was something I've always hoped for but never thought would happen. 

She wrote: "OMG I LOVE this!" 

I immediately knew Joyce was for me because that is EXACTLY how I would react to something I loved. 

Our call was mainly there to confirm how on the same page we are and have a little fun getting to know each other better.

I know everyone says this, but it's extra true for me. I am incredibly lucky that Joyce took a chance on me. The story I sent her was a new style for me. She said she can take me on if I could do that again. A tall order and something she knew wasn't easy, but it was fair and honest (two top priorities for me). She told to think "outrageous"—that's my style (something I wasn't aware of before). Lo and behold, I sat down after that conversation, and outrageous story ideas just poured out of me. I sent one draft to her and the whole outrageous ideas document (which was longer than you'd expect) and she loved it! On our call she couldn't wait to talk about which iseas she loved the most. That passion for my ideas and connection to my work, that's what I've been waiting for, hoping for, and can't believe I've found.

I didn't realize the story I queried Joyce with showed my trir writing voice until Joyce took the time to encourage me. Now I've written two other stories like it, and they just flowed out. My critique partners keep saying they love the voice, and I fondly thank them and tell them, "Joyce found my voice." (As a rhymer, this saying makes me extra happy).

A big shout out to the amazing woman who connected me to Joyce: Mindy Alyse Weiss. 

Thank you Seymour Agency, thank you Mindy, and thank you Joyce for believing in me and seeing me, and helping my dreams come true.


About Kaitlyn Leann Sanchez: 

Kaitlyn Leann Sanchez is a writer of humorous picture books and an active member of SCBWI. She's a proud finalist  from the 2019 Picture Book Party event. Kaitlyn is the co-creator and co-host of the many contests including: the Spring Fling Kidlit Contest, the Kidlit Fall Writing Frenzy, and Kidlit Zombie Week. Kaitlyn is also an associate literary agent, helping writers achieve their dreams of publication. 

She was born, raised, and has always stayed in California's Central Valley, where she lives with her family and teaches junior high school math. When Kaitlyn isn't writing, teaching, or agenting, you can find her eating cookies, laughing with her hilarious family, or out on the soccer field, but you'll never find her cleaning. She would definitely rather be sucked into a vacuum than use it!

Website: https://kaitlynleannsanchez.com/

Twitter: @KaitlynLeann17 

Facebook Author Page: https://www.facebook.com/KaitlynLeann17/  

Thursday, September 24, 2020

The Call with Melody Dean Dimick

After Joyce Sweeney and I met at a Society of Children's Book Writers and Illustrators (SCBWI) conference in Miami, she became my content editor. Through her wise guidance, I found my voice and a traditional PAL publisher,Taylor and Seale Publishing. At a subsequent SCBWI conference in Orlando, Joyce bestowed one of her coveted Magic Bean Ceremonies on me. We continued working together. She knew I was seeking an agent, and she loved my novel in verse. Joyce suggested I submit What Lies Beneath to her.


                


About Melody Dean Dimick:

Melody Dean Dimick is an award-winning author, the president of the Florida Writers Foundation—a not-for-profit organization promoting literacy—and a member of the Florida Writers Association (FWA), the Society of Children's Book Writers and Illustrators (SCBWI), the Daytona Writers Guild, the Florida State Poets Association, and the Florida Authors and Publishers Association. She draws on her experiences teaching at Northern Adirondack Central School and the State University of New York at Plattsburgh to write YA fiction and poetry. Dimick leads the Lake Helen Villa Writers.

Nine of Melody’s short works appear in (FWA) collections. Both her Backpack Blues and What Lies Beneath won First Place in the unpublished general category of the Florida Writers Association’s Royal Palm Literary Awards. Blame and Backpack Blues: Ignite the Fire Within won Daytona Writers Guild Excellence in Arts awards. Taylor and Seale recently published Ain’t It a Shame, a three-act play based on Backpack Blues: Ignite the Fire Within. Her poem, “Ysobel Gomez,” captured Second Place in an FWA Royal Palm contest. Her No Parents Allowed is a semi-finalist for this year’s RPLA Young Adult Novel of the Year.

Other books by Melody Dean Dimick include Silent Screams, Sinister Silence, Cat Girl, No Parents Allowed, and the three-act play Ain’t It a Shame. She is represented by Joyce Sweeney, literary agent with The Seymour Agency.

Melody conducts poetry workshops, served as a speaker on the First Books Panel at a Miami SCBWI conference, participated in a panel discussion at the Museum of Arts & Sciences as part of the Volusia County National Endowment for the Arts NEA Big Read, visits and speaks for writers’ groups and at schools and libraries. She has conducted workshops at conferences in Altamonte Springs/Orlando, and Port Charlotte. Local radio host, Mary Flynn interviewed Melody and her husband, Barry, on Orlando’s 1520 WBZW. To learn more about Melody and her books, readers can follow her blog under: My News at https://www.melodydeandimick.com/.

In her spare time, Melody loves to read, play pickleball with her husband, Barry, attend and judge poetry slams, and play pinochle with her son and his wife.

Thursday, August 13, 2020

The Call with Shachi Kaushik

I first happened to cross paths with Lynnette Novak on Twitter. I sent her my manuscript seeing her pinned tweet. In a couple of days Lynnette got back to me expressing keen interest and requesting to have a phone call.   

Being a first timer, this was an exciting as well a nervous moment for me. I took help from my SCBWI community to understand what to expect from an agent call.

What I thought would be like a job interview turned out to be a candid conversation between me and my agent Lynnette. 
 
She was seeking more clarity on my work, my motivation behind writing picture books, my long-term vision and goal, and gauging if a working relationship could be established. Right from the get-go Lynnette made me feel at ease. She spoke of my manuscript’s potential.
 
As much as Lynnette, I was also trying to figure out if my agent would be a right fit for me. This is a long-term relationship.
 
She answered all my questions and cleared my doubts about the process and the final product. She discussed her approach when it comes to showcasing work to publishers. I can recall Lynnette’s words stating ‘teach my clients how to improve their writing and grow as authors’ was a very important factor for me. Knowing that she herself has been a writer and worked as a freelancer editor, I knew I wanted someone like her. I knew a writer with the editorial eye could help me tweak my work and further enrich my ideas.
 
Lynnette offered representation to me over the phone. Finally, I accepted Lynnette’s offer in writing. I really liked her enthusiasm for my work and felt a great connection and was able to imagine her being part of my picture book writing journey.
 
My agent and I finally made it official on Social Media using Twitter (#TeamNovak) and also on other platforms consecutively. YAY!!!
 
For me it was a stay at home celebration maintaining social distancing. 
 

About Shachi Kaushik:


Hailing from a legal profession back in India, Shachi found her new calling in life when she moved to the US a couple years back to start her married life. Shachi spends significant time volunteering for activities at the Round Rock Public Library as the host for Bilingual Hindi-English Storytime. Shachi’s writing is a whole-hearted attempt to retain the diminishing culture and tradition that could be passed to generations to come. 

 

Shachi also spends time mentoring students which further helps her develop new ideas to serve the Children-Parent community through her book writing. She is a monthly contributor to Austin South Asian for the “Picture Book World” section and her articles have also appeared in Austin Family and BrownGirl Magazine.

 

Twitter: 

@KaushikShachi