Pages

Showing posts with label Kids Books. Show all posts
Showing posts with label Kids Books. Show all posts

Tuesday, January 12, 2021

The Call with Steve Hickner

Before I sent out my agent queries, I braced myself for the tidal wave of expected rejections. I’ve worked in the entertainment industry for a long time and I knew first-hand what the chances of success would be like. In fact, right outside my office was the assistant to one of DreamWorks development executives, so I had a front row seat to the battlefield of disappointed faces. My point is, I figured that Charlie Bucket had a better chance of finding a Golden Ticket than I did in getting an agent.

The closest thing that I can compare to sending out agent queries is when those rats will hit that lever repeatedly in the hopes that it might deliver a treat. Well, one day, I sent out a few queries and I got a request for a full manuscript.

Cue heavenly choir: a full manuscript.

I told myself, don’t get too excited. I’m sure the studio with Pluto Nash felt they had something at the time. (“My god, we have Eddie Murphy!”)

Not long after I sent the manuscript, I got an email from Lynnette saying that she liked the material and wanted to discuss possible representation. I was thrilled, and vowed on the spot to never again mock Sally Field for saying, “You like me, you really like me.”

I have to confess, the details of the phone call are all a blur now, but one thing about it stood out: Lynnette struck me as a wonderful person. She really loved books, loved telling stories, and most importantly, she cared about people. I know selling books is a crazy pie-in-the-sky pipe dream, but having someone along with you on the journey makes it worthwhile.  

Even now, I am grateful for the countless hours I spent scouring manuscript wish list to find the right agents to send my material to. Because all that work led me to getting that phone call from Lynnette Novak and working with the Seymour Agency. 

To all of them, I am—and will be—forever grateful. 

One more thing, if this is needs to be edited, nuked of adverbs, and spell checked, then that’s another reason why I need Lynnette Novak. 


About Steve Hickner: 


Steve Hickner has worked at many of the fabled studios in animation: DreamWorks, Disney, Amblimation, Aardman, Hanna-Barbera and Filmation.  His extensive career includes experience with both the production and artistic sides of the process, serving as Producer on such films as:  American Tail II: Fievel Goes West, We’re Back! A Dinosaur’s Story, and Balto.  His director credits include Bee Movie and The Prince of Egypt.   In addition, he has contributed to such feature films as Who Framed Roger Rabbit?, The Little Mermaid, The Great Mouse Detective, Madagascar, Shrek Forever After, Peabody and Sherman and Home.  His television credits include the childhood favorite, He-Man and the Masters of the Universe. Steve has contributed to theme park and location-based entertainment projects in China, Dubai, London, Singapore, Malaysia, and Hollywood.  He recently collaborated with Steven Spielberg to write and direct the Comcast sphere film, The Power of I. He has been a guest speaker at many colleges and universities, film festivals and animation events.  He is the author of Animating Your Career, and Animation Rules!  


Twitter:  @HicknerSteve

Instagram: @stevehickner1

Website: stevehickner.com



Thursday, December 17, 2020

Staying Motivated with Mindy Alyse Weiss

Today we sit down with children’s book extraordinaire, Mindy Alyse Weiss, and discuss how to stay motivated through the writing and revising process. In addition to writing funny, heartfelt picture books and middle grade novels, Mindy fosters community as the host of PBParty. 

Could you describe what #PBParty is and how it began?

PBParty started seven years ago, before I had the pleasure of joining as co-host. Authors Michelle Hauck and Sharon Chriscoe decided there wasn’t enough out there for picture books so they created an annual contest. The first year, they allowed a small amount of entries (I think it was a hundred or so) and it filled up in minutes! After that, they realized their contest was in such huge demand, they needed to allow more entries. Writers e-mailed the first fifty words of their picture books along with a query. Michelle and Sharon chose a diverse variety of the strongest entries to share with a few agents and editors in the final showcase. Through the years, they’d narrow it down from a few hundred to around 20 finalists and then agents and editors would request the full (and sometimes additional manuscripts) from the ones that caught their attention. 

How did you get involved?

In 2019, they asked if I wanted to participate and I said “Oh my gosh! It sounds like so much fun!” It kind of blew up. That year we had over 800 entries, allowing 2 per person. We eventually had to narrow it down to 1 entry per person because we only had a week to read all of them. With 1 entry per person, we received 526 entries this year.

What is it like being in charge of all those authors’ submissions?

It’s amazing! It makes you see from the agent’s side of the desk, which is such a gift. When you start out you think, “This is a maybe. This is a maybe,” and all of a sudden you’re thinking “Nope! We’ve seen something stronger, or more unique.” It really shows how some rise to the top and others sink to the bottom. There’s so much in the middle—making the final choices is incredibly hard. This year, we narrowed it down to 30 finalists. 

It’s interesting to see trends—March was full of chickens, worms, zombies, dragons, unicorns, and mermaids. They’re all popular children’s topics—but the amount of submissions with them makes them battle even more for a spot. 

We also have an Illustration Showcase that I launched my first year after talking to a talented illustrator who said he’d enter…but I’d never seen his work before. I thought “it’s so competitive with the writing finalists that if I see a gorgeous illustration, it’ll be hard to turn it down.” It’s become an important part of our final showcase. Agents and editors seem to love browsing for talented author/illustrators—and we love celebrating all the requests and offers. 

PBParty has been a huge hit! So many talented writers and author/illustrators have received agents and editors through this process. Last year, one entry had 18 requests! And at least eight finalists received offers, which is so exciting. I can’t wait to see all the 2021 entries in March!


How does it feel to be a central point in helping people connect with agents?

It fulfills me so much. Things like this are my sunshine, especially during COVID. 

I love celebrating successes. It’s incredible to fall in love with entries, happy dance when they make it into the final round or Illustration Showcase…then cheer for each request. I’m probably on the edge of my seat, squealing as much as the finalists—I want them ALL to succeed! 


Could you speak to how creating community helps with motivation as a writer?

During the PBParty contest in March, we’d have daily prompts that gave participants the opportunity to chat, answer questions, share tips, cheers, and support. When the contest ended, the PBParty chats always did. But in March, the pandemic hit and I tweeted “I’m so sad. I don’t want this to end.” They agreed and I said “Do you want me to keep asking questions?”

I played around with different questions and people were so encouraging. The next thing I knew, we were doing Motivation Monday. That’s when you make your goals for the week. Then, there’s Celebration Sunday. It’s so important to celebrate along your journey. People think “I want an agent,” “I want book sales” or “I want awards.” It helps to sit and make small goals you can accomplish. I love having some easy goals because you never want to go through a whole week thinking “I’ve accomplished nothing.” This way, you can turn around and realize you’ve checked so many things off your list. Challenge yourself to do at least one thing each week that you’re not so sure you can do. Hopefully you can!

Seven months ago, I realized I hadn’t written a new picture book in 2020. That’s unusual for me. I’d been revising, but I hadn’t written anything new. I was online and some other picture book writers were saying “I haven’t been able to write in the pandemic.” So I said “Let’s write a picture book! How’s Thursday?”

This morphed into an amazing, motivating monthly event called the PBParty New Draft Challenge & Critique Train. You can flesh out ideas and plot ahead of time, then write, write, write on challenge day—you have 24 hours to write a new PB draft (EST). Then, you shout “DONE” on Twitter and add your name to the Critique Train Google doc. You receive a critique from the person above you, and give a critique to the person below you. You can send any picture book you need feedback on. Fresh eyes are such a gift—and I love seeing new friendships and critique partners form through this, too! In October, around 50 new picture books were born during the challenge. I can’t wait to cheer for all the new PB drafts during the December 17th challenge! 

I’m grateful to the picture book communities that have motivated me—and it’s so fulfilling to add my contribution to the kidlit community. I love how we support each other, help motivate each other, and celebrate, celebrate, celebrate!

This would turn into a novel if I share them all, but here are a few that I love participating in:

Storystorm with Tara Lazar is every January. The goal is to come up with at least one idea (in any genre) per day and there are inspiring daily blog posts and tons of prizes…including the chance to have an agent look over your favorite ideas and tell you which seem like the strongest. This is where I get most, if not all, of the ideas I use for an entire year!  

I also love the 12x12PB Challenge with Julie Hedlund. The goal is to write/revise a picture book every month. It’s a supportive community with an active forum and Facebook group, a critique area, monthly webinars, and a post to celebrate good news each month. 

Justin Colón, runs PBChat which is another amazing community with Twitter chats. He also has a free, three month mentorship program each summer. There’s huge competition to get in with all the big name authors and illustrators who participate and an agent/editor showcase for the finalists to display their work after the mentorship ends. 



What advice would you share with aspiring writers?

Enjoy the journey. So many people only have their eye on agents and publication and that won’t get you anywhere alone. Don’t be in such a rush because the learning curve is huge. It’s so much better to learn how to do deep revisions before you’re on deadline with an agent or an editor. Take as many workshops and classes as you can. Critique groups are an absolute must. 

When you write a new picture book a month, you lose that “this has to be perfect” mindset. You can play around with new styles. Feeling like you have to be perfect bogs you down. Challenges help you let go of all the rules swirling around your head and write. There’s plenty of time to revise later…but you can’t revise a blank page. 

Sometimes when things are going on in your life, you can’t write certain things. Don’t push yourself to write anything that pulls you down, particularly during a pandemic. You can always put work aside, switch to some writing that makes you smile and come back to it when you’re ready. Even if you’re busy or not sure you can write, do your best to write something every day. Set a timer for ten minutes (half an hour is great if you can swing it) and write. Don’t let writing slip out of your life because once you do, it can be difficult to get back into it. Keep it as part of your routine, but make it work for you.

All around me, I have motivational sayings. Every year, Julie Hedlund does a webinar series leading up to the holidays and she does something that I love and make part of my life now. Think of a word that you want for the year. The first year I was having a very tough year and my first thought was “survive.” And then I thought no, that is not going to be my word of the year and I switched that to “thrive.” The next year was “believe” and that was the year I got my amazing agent, Joyce Sweeney, and became part of The Seymour Agency family. Now I’m looking forward to this next year and I might borrow a word from a friend that is so perfect “bloom” but there’s another word I’m considering (take one look at my website and you’ll see why): “sparkle.” 

Don't Miss Out on
The December PBParty New Draft Challenge & Critique Train!




About Mindy Alyse Weiss:

Mindy Alyse Weiss is a glitter-loving kid at heart who loves viewing the world through a child’s eyes. Writing, reading, and hanging out with other book-loving people is her air. She’s written many humorous picture books and middle grade novels, but also enjoys tapping into the challenging parts of her life so she can spread sunshine and hope. 

Her heartfelt picture book manuscript, Mason’s Greatest Trick, won 5th place in the Writer’s Digest Competition and helped her receive a 12x12 PB scholarship. She’s had several pieces published in Highlights magazine, is the SCBWI FL Critique Group Coordinator and Free Meeting Facilitator, an Administrator on the SCBWI Blueboard, a founding member and Administrator on the From the Mixed-Up Files…of Middle-Grade Authors blog and host of the PBParty chats, challenge, and annual contest.  Mindy lives in Florida with her husband, two daughters, and rescue dog and cat. She adores animals and would adopt every homeless one if she could. She also loves chatting with other book-loving people on Twitter and Facebook…and seeing their adorable pet photos! She’s thrilled to be represented by Joyce Sweeney.


Tuesday, December 15, 2020

The Call With Carol Coven Grannick

It was just another pandemic day. I planned to be busy with marketing and PR-related planning and doing after my morning cardio walk, stretches, and breakfast. But first, during an early hour of the morning, I had my coffee, checked emails, and noticed an interview with a new agent on "The Mixed-Up Files..." blog. I opened it, prepared for the usual description of wishlist requests that would have nothing to do with what I wrote. I felt a slow "zing" meander through my body as I read, "Lyrical picture books and novels in verse" (huh? really?) and a little statement indicating the kind of positive attitude and emotional resilience I write in my columns and guest blog posts. I finished the interview and looked up Joyce Sweeney at Twitter. "I'm not accepting submissions." Okay. I'm respectful of what people say. Ten or twenty years ago, I would have shrugged, felt sad for a few minutes, then moved on. On this day, though, well into my writing journey and feeling pretty comfortable with who I am and what I write, I decided to email Joyce. With respect for her statement about being closed to submissions, I let her know that I'd never seen such a good match, and that I'd appreciate it if she would consider my work once she reopened to submissions. And I meant it. I just wanted to connect, and respect the limit that was presented. Shortly after (I mean, a few minutes), I received a lovely email from Joyce: "I like your style, Carol—please send me your best work." I felt so immediately comfortable that I conveyed that my "best" work involved several different types of picture books, listed them, and asked her to choose. She did. She loved it, and asked for more...and then more...until I'd sent almost all my ready-to-go file of varied-subject, varied-voice picture books. She read, we talked, we signed. I have never felt so relaxed and comfortable with an agent. I trust her to care for my work and help me guide it in the right direction as necessary. As a longtime children's writer with a debut novel-in verse this September (2020), and poetry for the very young in a number of the children's magazines, I feel a freedom to refocus even more energy on my writing, since my written and revised work is in the best of hands.


About Carol Coven Grannick:

Carol Coven Grannick is an author, poet, and chronicler. Her poetry and fiction for young children has appeared or is forthcoming in numerous magazines, including Hello, Babybug, Highlights, Ladybug, and Cricket. She is a regular columnist for the Illinois SCBWI Prairie Wind, reporter for Cynthia Leitich Smith's award-winning blog, Cynsations, and a member of the GROG blog. Her awards include: Finalist, 2014 Katherine Paterson Award at Hunger Mountain (VCFA) Honorable Mention, 2018, Sydney Taylor Manuscript Competition Ragdale Foundation Writing Residency, 2016 Illinois Arts Council Grant, 2019. She is a member of The Society for Children's Writers and Illustrators and The Chicago Writers Association. She looks forward to many conversations with young readers about REENI'S TURN.

Website: https://carolcovengrannick.com

Tuesday, November 17, 2020

Q&A and Giveaway with Beth Vrabel!

By Elisa Houot

1. What was your favorite book to write ?

That’s such a tricky question! I loved, struggled, doubted and am proud
of each of my books. I think The Newspaper Club series was the most fun
to write, though. I braided my background as a journalist with my love
for small towns and quirky characters. Nellie, Gloria, Thom, Min,
Charlotte and Gordon were a blast to create!

2. Do you write while listening to music or do you need silence?

Spending so much time in newsrooms conditioned me to need a lot of noise
but no one talking to me. That’s why under ordinary times, I love
writing in coffeeshops. Right now, I actually have a framed picture of
my favorite coffeeshop hanging on my office wall! At home, my office is
in the heart of the house, right off the kitchen. I kick off writing
days by lighting a candle, settling into my armchair, and listening to a
Pandora station. The station itself shifts depending on the book. For To
Tell You the Truth, my June release, that was Ella Fitzgerald and the
Avett Brothers. For The Newspaper Club, I listened to a lot of The
National and The Frights.

3. What was your favorite middle grade book growing up?

Where the Red Fern Grows had a huge impact on me on a kid. I loved
Billy’s independence and determination.

4. Who is your favorite fictional character ever, and why?


Oh, this is a tough question for sure! Anne of Green Gables and I are
kindred spirits, so I’m going to have to go with her.

5. What is the one advise you would have to new writers?

My biggest piece of advice is to tell yourself the story first. Some of
the best writing takes place long before you ever pull up that new
document or turn to a blank page. Fall in the love with the characters,
imagine the critical moment when everything seems lost, think through
how you’re going to pull everything together at the end. And then, when
you’re so excited about this story that you feel like you might burst,
that blank white page won’t look intimidating; it’ll seem like an
invitation.


Be sure to follow Beth on Twitter, Instagram, and "like" her Facebook page to be eligible for this giveaway to win book one and a poster of The Newspaper Club! 

Link: http://www.rafflecopter.com/rafl/display/e7c376692/


Be sure to follow Beth on Twitter, Instagram, and "like" her Facebook page to be eligible for this giveaway to win books one and two of The Newspaper Club! 

Link: http://www.rafflecopter.com/rafl/display/e7c376691/



About Beth Vrabel:

Beth Vrabel is author of the Cybils’-nominated Caleb and Kit, ILA award-winning A Blind Guide to Stinkville, JLG-selection A Blind Guide to Normal, The Reckless Club, the Pack of Dorks series, and The Newspaper Club. She lives in Connecticut with her family.

Website: bethvrabel.com

Facebook: facebook.com/AuthorBethVrabel

Twitter: twitter.com/beth_vrabel